When burly and blue-collared Lange starts to run dry on stage direction, he's told that this shoot is supposed to be his fantasy. After exposing a few frames that focus on her big breasts, perfectly flat stomach and tiny strip of a bush, he looks up and barks, "It's my fantasy? OK, where're the pizzas and calzones?"
Taking control, Lindsey stretches across both arms of the chair, on all fours, and Artie needs no prodding to swoop in underneath her for a series of sexy close-ups. Then he asks her to stand behind a set of closed curtains so that everything peaks out except her head. Faced with nothing but those glorious breasts, perfect legs and flawlessly manicured pubes, Artie turns to the guys in attendance and marvels, "Ahhh, the perfect woman."
Luckily, Lindsey's a good sport. She comes out from behind the curtain and provides some of the steamiest poses of the day, stretching her body and putting on a good show. By the time Artie asks her to duplicate the batting stance of deceased Yankee Thurman Munson, totally naked Lindsey does it without missing a beat. She even laughs when Artie tells her that her crouch seems closer to that of Mickey Rivers.
With just a couple rolls left to shoot, Lindsey climbs up onto a table and gets all-seductive for Artie's camera. When she leans toward him with pursed lips, Artie coos, "Say, 'Here's some sugar, Chubby.'" She cracks up, and Artie turns around to add, "Lindsey is not the first naked girl who's laughed in my face."
Artie shoots his last frames and Lindsey acknowledges that this was more humorous than the typical Playboy shoot. She gives Artie a long and naked hug before Artie gathers his things and prepares to trudge out of the room. Turning around for a last glimpse at the lovely Lindsey, he groans, "Now it's back to the real world."
