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PF: Well, I know one thing, and that is that when I plan the party or when I plan the song, I know that a guy who doesn't consider the female aspect of life itself is missing out on something. Whenever he's going into the arts, if he's not considering using the elements of the female, he only has half a palette to start with. He can scream and yell as much as he wants, but he's only half as effective.
If you consider the whole spectrum, you have so much more to draw from, and you get so much deeper and wider if you're going to include this other aspect. Once you do that, you find that everybody gets turned on. Don't be afraid of it -- you have to use it! It's a good element for you, even if you're a guy. No one wants to hang out at a party that's all dudes. Well, if you're gay, maybe. [Laughs] But even then, I don't think it's that much fun without the female.
PB: That was another great thing about Lollapalooza: Even though there was all of this sexual energy, there was never any sense of a threat to anyone. It was like a party at the Playboy Mansion. Do you think you can create that again?
PF: Definitely. There will be no threat, and there's a chance that you're going to see some really cute girls! Maybe they'll be wearing Doc Martens, but they'll be cool and open-minded. We've got agents on the grounds who are girls who will help the competitions move along, and we've got a troupe of international belly dancing stars, a dozen of them who look like they're straight from a beauty pageant, but they're really cool and down to earth. And then we've got our Lolla girls, and we've got the Donnas performing on the main stage. When we spread that energy around, it's got to make a guy feel good!
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