Even though there's a constant funk to the record, you guys seem to take in kaleidoscopic influences. Where do you find all the ideas?
Everywhere. It's all there for the taking, from Black Sabbath, Richard Prior and Terry Gilliam to the birds in the trees.
What is the songwriting process like—do they come to you fully fleshed out, or do you piece together fragments of ideas?
Beats, bass and disgusting riffs are a pretty good place to begin. The way we go about making the filth we make is real straightforward. When it sounds right, it sounds right, whether we have a chance to record it in a toilet or at Abbey Road.
What distinguishes a great gig for you?
When you get that kind of unhinged vibe, where it could go either way: It could explode or fall to pieces.
What's your favorite driving album?
Fleetwood Mac's Rumors.
And when it comes to getting busy?
Ann Peebles' I Can't Stand the Rain. It's a real short album and after being on the road for a while,
you don't last very long.