Playboy After Hours
August, 1964
Our belief that film criticism, like beauty, is in the eye of the beholder, was recently reaffirmed when we encountered the following tongue-in-cheek review of the Audrey Hepburn/Cary Grant whodunit, Charade, which ran in The Philatelic Investor, a stamp collectors' monthly:"All in all, Charade is a pleasant enough film, though it taxed the imagination in spots. For instance: Its cinematic simulation of Sweden's unique three-skilling banco color error of 1855, printed in orange (the color o...
