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Like many 1980s skate punks, I discovered Raymond Pettibon through his album covers, his flyers and, of course, his iconic Black Flag logo, which may be the most tattooed signifier of cool ever created. But I loved Pettibon’s work beyond its association with a band or a subculture I cared about. I recognized his understanding of the figure and his restrained mark-making coupled with his amazing gift for lettering, all of which allowed him to transcend the labels of graphic artist, illustrator and comic book artist. He’s a really smart guy who works quickly and gesturally but not sloppily. His work taught me to present the most minimal but the strongest elements, to focus on what gives things their essence and power, and to be fearless. Pettibon thrives on challenging the status quo, and his art frequently contains symbols and insights that people find difficult to discuss—at least until someone else breaks the ice. You find this in comedy, whether it’s Lenny Bruce or Dave Chappelle, but far less often in the art world. In many ways, Raymond Pettibon is a master of black comedy: His poetic imagery seduces you, and then it cracks you over the head.
